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In Memorium: Maui Artist Anthony Natividad

Vanessa Wolf is a Maui-based writer who intermittently laughed and cried while writing this piece. 

By Vanessa Wolf

Anthony Natividad smiled when he saw this photo. “I look relaxed!” Photo by Vanessa Wolf

Local musician and Ulalena cast member Anthony Natividad died unexpectedly last Sunday, October 28th, a week and a half after this interview was conducted. He was an influential and beloved member of this community and will be missed.

A handmade traditional Hawaiian nose flute is placed beside each of your ears. You sit in a chair; your back to the musician.

“This is the voice of your ancestors,” Anthony Natividad tells you.

And it is.

Although earlier the melodies had seemed to be Native American, Hawaiian, Hindu and even at times even Peruvian, now – suddenly – the sound is notably Celtic.

As a few tears fall from your eyes, you wonder who or what this man really is and how on earth he is managing to conjure this hauntingly familiar music…and with his nose.

“The sound of the nose flute is played for souls…not just our own, but the souls of your ancestors and any ancestor in the area. I’m the vehicle for the flute to have a voice,” Natividad explains, and somehow this makes sense.

Anthony Natividad did not immediately recognize the nose flute as his calling.

He saw one for the first time in 1975 while in the fifth grade and attending leadership camp on Oahu.

“If you were pretty decent at school, you got to go to Camp Erdman on the North Shore. There we could go camping in actual cabins. The camp was run by Hawaiians and all the activities were Hawaiian activities: one was the nose flute.”

Uncle John Naone , who has since passed away, pulled the kids aside, picked up a nose flute he had made from bamboo, and played for them. “Watch me,” he instructed.

A minute later he stopped.  “Okay, you guys saw that? Good.”

Naone explained that traditionally women play flutes with two holes and men play those with three. “However, I’ve only made ones with three holes, so pick one. It doesn’t matter. I’m going to let you practice for ten minutes. If I hear you talking about anything but the nose flute, I’m going to crack you on the head and call your parents.”

The children each took a flute and quickly found they couldn’t make a sound. They were given a second demonstration and opportunity to practice with the same results: no sound but for that of the air being ejected from their nostrils.

Some of the flutes – and a cardboard didgeridoo – made by Natividad. Photo by Vanessa Wolf

Natividad took the flute home and would pick it up from time to time.  “I was intrigued by the thing for about two years after that,” he recounted. “I tried the same thing over and over again for two years and never made a sound; just air.”

Time passed and eventually that flute disappeared along with it.

Then, in June 1992, Natividad’s wife, Jamie, brought home an ocarina from Arizona. The ocarina is an ancient flute-like wind instrument, believed to be as much as 12,000 years old in its origins.

Natividad thought it was a pendant or some kind of jewelry, but his wife explained it was a flute.

“When I blew on it, that first sound was like ‘wow!’ I was hooked. My wife had to bear with me for four months as I learned.”

To hear him tell it, those early months were not exactly filled with melodic tunes. “For the first month and a half I sucked at the ocarina. I would practice in my car and away from home…at her request.”

His burgeoning love for the music he was making surprised him. “I never thought I’d be a musician at all. I wasn’t paying attention to music. My father in law – who was my band teacher in high school – can attest to that!”

A few years later, someone asked Natividad if he had ever heard of the Native American flute. The answer was no.

The music played for him that day was by R. Carlos Nakai, the Native American flute player of Navajo and Ute heritage.

Natividad plays a didgeridoo of his own making. Photo by Vanessa Wolf.

Natividad heard the name and was reminded of his own heritage. “Carlos is a Filipino name. And Nakai? Hey, this sounds like a Filipino Japanese guy too!”

He went to his wife to ask if she’d heard of the Filipino-Japanese flute player, R. Carlos Nakai, and she informed him he was Native American. Not only that, but “I’ve been playing his music for years. You just never noticed.”

Natividad reflected on this memory. “I had never really noticed. I guess you’re ready for stuff when you’re ready.”

A series of experiences eventually led him back to the Hawaiian nose flute. From there, he began making them from bamboo…and any material that would accommodate his efforts.

Many cultures have flutes. “It is a very profound, sacred instrument.,” Natividad explained. “All flutes were used for ascension. The Native American flute was used for courtship. Krishna played the bansuri. The list goes on.”

Why is the Hawaiian flute played with the nose?

“The Hawaiians and many Polynesians believe the breath – the ha – is our essence. No words can be spoken through our nose. If our breath is our essence, we cannot lie about ourselves through our nose. If music is an expression of who we are, the nose flute is an instrument of sincerity and purity. We become a very clear tool and share part of who we are when we play.”

Anthony Natividad’s music shared who he was and touched many lives.  He played not just for the living, and believed that the ancestors were among us at all times.

“We are never alone,” he often said.

One can only hope he does not leave us alone either, and that his kindness, spirituality, and true spirit of aloha live on.

 

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Editor's Note:Maui Now is an open forum and we welcome any views. However, please apply your sense of aloha when posting comments - remarks that are unnecessarily offensive will be blocked.

 
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  • leimomi murray

    Anthony was an awesome man…His funeral services are on Sunday, November 11, 2012 at the Ulalena theatre at 10am. Come celebrate his life with him and his family and all of our friends…Aloha attire please!

  • Joni-Lee James

    Anthony was there for hundreds of people from around the world, every day. His friendship and his Aloha Spirit was a blessing to all of us. Taken far too soon. We love and miss you Mr Aloha xxx

  • Bviolin

    I have no words. Anthony was a spirit to me and my band on tour in Maui… he literally welcomed us, healed all of us and supported us to finish our tour… he will never be forgetten… I have no doubt he had some work to do for us elsewhere and he is off to do that. Aloha Brother and Mahalo for everything you were/are…

  • Skye Coe

    Much aloha to all of his beautiful ‘ohana! I was never in Anthony’s presence when he was not effervescently joyful and sharing that will all surrounding him. The seeds of love planted in everyone’s hearts through his aloha and music will live forever. Mahalo Nui Anthony . . Mahalo Nui Ke Akua!

  • http://www.facebook.com/people/Alan-Aki/507764236 Alan Aki

    Got major chicken skin reading this article. So saddened to hear of the loss of Anthony. Our halau was fortunate to meet him at the Ka ‘Aha Hula ‘O Halauaola conference in Maui, and then after the Ulalena show. My wife and I got to experience his awesome mana while he played the stereo ‘ohe hano ihu. Mahalo e ke kumu.

  • http://www.facebook.com/michael.goins.792740 Michael Goins

    I have been informed that the Great Kamehameha I is close to his return and I mean close and I mean close within the next 30 days and all will be set right and the Hawaiian people will all return to thier birthrights and all will be provided as it is the will of the divine. So get yourselves ready its going to be a wild ride. Anthony is has and always will be an angel representing the devine oneness of god. He will be back shortly.

  • http://www.facebook.com/waikaleolani.natividad Waikaleolani Natividad

    Thank you Vanessa.


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